Overtly, Covertly, or Not at All: Putting "Japan" in Japanese American Painting
| dc.citation.epage | 125 | |
| dc.citation.spage | 112 | |
| dc.contributor.author | Winther-Tamaki, Bert | en |
| dc.contributor.editor | Mills, Cynthia | en |
| dc.contributor.editor | Glazer, Lee | en |
| dc.contributor.editor | Goerlitz, Amelia A. | en |
| dc.date.accessioned | 2012-02-21T17:25:13Z | |
| dc.date.available | 2012-02-21T17:25:13Z | |
| dc.date.issued | 2012 | |
| dc.description.SIUnit | No SI Author | |
| dc.identifier.citation | Winther-Tamaki, Bert. 2012. "<a href="http://dx.doi.org/10.5479/si.9781935623083.112">Overtly, Covertly, or Not at All: Putting 'Japan' in Japanese American Painting</a>." in <em>East-West Interchanges in American Art: A Long and Tumultuous Relationship</em>, edited by Mills, Cynthia, Glazer, Lee, and Goerlitz, Amelia A., 112–125. Smithsonian Contributions to Knowledge. <a href="https://doi.org/10.5479/si.9781935623083.112">https://doi.org/10.5479/si.9781935623083.112</a> | en |
| dc.identifier.uri | http://hdl.handle.net/10088/17971 | |
| dc.identifier.uri | http://dx.doi.org/10.5479/si.9781935623083.112 | |
| dc.relation.ispartof | East-West Interchanges in American Art: A Long and Tumultuous Relationship | en |
| dc.relation.ispartofseries | Smithsonian Contributions to Knowledge | en |
| dc.relation.url | http://dx.doi.org/10.5479/si.9781935623083.112 | |
| dc.title | Overtly, Covertly, or Not at All: Putting "Japan" in Japanese American Painting | en |
| dc.type | Book, Section | en |
| rft.btitle | East-West Interchanges in American Art: A Long and Tumultuous Relationship | |
| rft.epage | 125 | |
| rft.spage | 112 | |
| sro.identifier.doi | 10.5479/si.9781935623083.112 |
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