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Keyed Bugles in the United States

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dc.contributor.author Eliason, Robert E. en
dc.date.accessioned 2007-09-27T18:28:42Z en_US
dc.date.accessioned 2013-03-18T18:02:06Z
dc.date.available 2007-09-27T18:28:42Z en_US
dc.date.available 2013-03-18T18:02:06Z
dc.date.issued 1972
dc.identifier.citation Eliason, Robert E. 1972. "<a href="http%3A%2F%2Fdx.doi.org%2F10.5479%2Fsi.00810258.19.1">Keyed Bugles in the United States</a>." <em>Smithsonian Studies in History and Technology</em>. 1&ndash;44. <a href="https://doi.org/10.5479/si.00810258.19.1">https://doi.org/10.5479/si.00810258.19.1</a> en
dc.identifier.issn 0081-0258
dc.identifier.uri http://dx.doi.org/10.5479/si.00810258.19.1
dc.description.abstract Keyed bugles are soprano brass instruments with side holes and keys like a clarinet or saxophone. They flourished for several decades after 1810 when the Royal Kent Bugle was patented, and before valved instruments became popular. Their melodic ability made possible the first brass bands in the United States, and these instruments remained popular in this country until the Civil War. During the 1840s and 1850s, many excellent players including the famous Ned Kendall amazed their listeners with intricate solos played on the bugle. Fine examples of American bugles with as many as 12 keys survive in several collections. en
dc.format.extent 8815147 bytes en_US
dc.format.extent 1911400 bytes en_US
dc.format.mimetype application/pdf en_US
dc.format.mimetype application/pdf en_US
dc.language.iso en_US en_US
dc.relation.ispartof Smithsonian Studies in History and Technology en
dc.title Keyed Bugles in the United States en
dc.type Journal Article en
dc.identifier.srbnumber 113122
dc.identifier.eISSN 1948-6006 en_US
dc.identifier.doi 10.5479/si.00810258.19.1
rft.jtitle Smithsonian Studies in History and Technology
rft.issue 19
rft.spage 1
rft.epage 44
dc.description.SIUnit SISP en
dc.citation.spage 1
dc.citation.epage 44
dc.relation.url http://dx.doi.org/10.5479/si.00810258.19.1

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