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?Figure 19. Edward Zucca, Mystery Robots Rip Off the Rainforest, 1989. Honduran mahogany, maple, yellow poplar, acrylic paint, gesso, polyethylene ink; 31 x 30 ? x 132 in. Carnegie Museum of Art, Bequest of Charles H. Carpenter, Jr. in honor of Phillip M. Johnston, 2002.52.3. Photo: Museum of Fine Arts, Boston, Department of Photographic Services. ? Ed Zucca. Source: Edward S. Cooke, Jr., New American Furniture: The Second Generation of Studio Furnituremakers (Boston: Museum of Fine Arts, Boston, 1989), 129. ??
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?Figure 20. Steve Madsen, Factories in the Field Where the Rivers Used to Flow (c. 1978). Spalted Maple,Vermilion, Ebony, Imbuia, Plexiglas; 26 x 9 x 24 in. Photo source: ?Containers,? Steve Madsen Design, http://www.stevemadsendesign.com/containers.html (accessed October 20, 2010). ?
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?Figure 21. Edward Zucca, Shaker Television, 1979. Maple, basswood, zebrawood veneer, Shaker seat tape, gold leaf; 36 x 24 x 18 in. Collection of Bernard and Sherley Koteen. Photo: Ed Zucca. Source: Edward S. Cooke Jr., Gerald W. R. Ward, Kelly H. L?Ecuyer, The Maker?s Hand: American Studio Furniture, 1940-1990 (Boston: MFA Publications), 83. 
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?Figure 22. Edward Zucca, XVIIIth Dynasty Television, 1989. Honduras mahogany, yellow poplar, ebony, gold leaf, silver leaf, rush, latex paint, ebonizing; 61 x 33 ? x 42 in. Museum of Fine Arts, Boston, gift of Anne and Ronald Abramson, 1989.263. Photo source: Museum of Fine Arts Boston, Collections Search, http://www.mfa.org/collections/object/xviiith-dynasty-television-44934 (accessed March 24, 2010). 
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?Figure 23. Edward Zucca, Caveman Television, 1993. Poplar, hemlock, oak, ash, maple, bark, bark paper, cowhide, paper rush, horn, bones, chamois, Connecticut fieldstone; 74 x 32 x 26 in. Photo: Michael Galatis, ? Peter Joseph Gallery. Source: Postcard, collection of the author. ??
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?Figure 24. Wendy Maruyama, Mickey Mackintosh chair, 1981. Zolotone on poplar; 66 x 33 x 18 in. Edition of 20. Photo: ARTstor Slide Gallery, ARTstor, www.artstor.org (accessed January 12, 2011). 
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?Figure 25. Richard Scott Newman, Commode, 1989. Mahogany, cherry, yellow poplar, pearwood, ebony; curly maple, pearwood, ebony veneers; brass; 35 1/2 x 46 x 20 in. Photo: Museum of Fine Arts, Boston, Department of Photographic Services. Source: Edward S. Cooke, Jr., New American Furniture: The Second Generation of Studio Furnituremakers (Boston: Museum of Fine Arts, Boston, 1989), 85. 
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?Figure 26. James Schriber, Cupboard, 1989. Maple, cherry, birch plywood; bird?s-eye maple veneer; aluminum, industrial casters; milk paint; 51 ? x 44 x 19 in. Photo: Museum of Fine Arts, Boston, Department of Photographic Services. Source: Edward S. Cooke, Jr., New American Furniture: The Second Generation of Studio Furnituremakers (Boston: Museum of Fine Arts, Boston, 1989), 109. 
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?Figure 27. Wendell Castle, Demilune Table, 1981. Brazilian rosewood, Baltic birch plywood, Brazilian rosewood veneer, carved ivory, ivory inlay; 35 x 38 ? x 19 ? in. Collection of Mr. and Mrs. Roger Berlind. Photo: Bruce Miller. Source: Davira S. Taragin, Edward Cooke, Jr., and Joseph Giovannini, Furniture By Wendell Castle (New York: Hudson Hills Press, 1989), 62.  
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?Figure 28. John Cederquist, First Piece, 1981. Glass, Baltic birch plywood, poplar, embuia inlay; wood frame, 16 x 25 x 14 in.; glass top, 44 x 19 in. John Cederquist. Photo: Michael A. Sasso. Source: Arthur C. Danto and Nancy Princenthal, The Art of John Cederquist: Master of Illusion (Oakland, CA: Oakland Museum of California,1997), 28. 
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?Figure 29. John Cederquist, Olive's Chair, 1982. Baltic birch plywood, Spanish cedar, embuia inlay, leather, aniline dye; 38 x 18 x 14 in. Private Collection. Photo: Michael A. Sasso. Source: Arthur C. Danto and Nancy Princenthal, The Art of John Cederquist: Master of Illusion (Oakland, CA: Oakland Museum of California,1997), 34. 
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?Figure 30. Compared views of Figure 29. Photo: Michael A. Sasso. Source: John Cederquist: Deceptions (Los Angeles: Craft & Folk Art Museum, 1983), fig. 6. Notice how the illusion no longer ?works? when the viewer shifts perspective.